Showing posts with label The Electric Lady. Show all posts
Showing posts with label The Electric Lady. Show all posts

Friday, October 11, 2013

My Favorite Things: Janelle Monae

My Favorite Things: Janelle Monae


  1. Positioned herself as a musical innovator and role model for current and future generations
    Maintains identity as a Cover Girl, and with consistent positive messages.
  2. Self Produced via Wondaland Arts Society
    Website: http://www.wondaland.com/
  3. Maintains Control of Her Image
    Black and White Suit represents Middle Class Roots, Simplifying, and Control of Her Own Sexuality and Brand Identity.
  4. Supported by Major Labels and Artists
    Many musical giants who know the most about the pulse of the music industry have been her earliest supporters;
     IE - Big Boi, Sean (P. Diddy) Combs, Stevie Wonder, Prince, Solange Knowles, Erykah Badu, Migel, Get it? Lol
  5. Constructed a Fantasy World & Invited Us In
    Her imagination is on point and I love it. She's developing this plot cohesively through her concept albums that takes the listener through songs and "emotion pictures" illustrating a futuristic society where droids and humans live together. She uses this framework to rather intelligently focus attention to contemporary social issues, most notably forbidden love. I love following the journey, and with 2 Suites to finish the saga, deeper down the rabbit hole I go!
  6. Not Limited by Traditional Socioeconomic Stratifications
    She's breaking the mold on what we expect our music to sound like, what we expect artists to look like, and our expectations of keeping genres (and love) segregated. Her upbringing doesn't hold her back, she's proving her roots keep her grounded as she dreams up new and greater heights. In interviews she speaks of her great respect for her parents, and how her mom was a janitor and a "wizard" that supported her early recognized passion for performance. There's a saying that "You can't be what you can't see." Janelle not only personally challenges that idea, she is actively becoming an icon fo future generations to follow in her footsteps.

  7. Loves to Dance
    With all the undertones and messages within her music, the resounding message is "The Booty Don't Lie". It kills me that I haven't been able to catch her live in tour yet, but in every video I watched, every review I read, she is exalted for her unparallelled energy on stage. In a world of autotune, and marketing agendas pushing the advancement of the music industry, her genuine passion and talent are a much needed breath of fresh air.
  8. Demonstrates a "This is Who I Am, Take Me or Leave Me" Attitude
    Ms. Monae has gained popularity for her candid manner when discussing her love life. Shes given interviews where she explains she "only dates nice, driven droids", which has contributed to some questioning her sexuality. In art, gender identity and sexuality are understood in layers - that of the artist, inscribed in the art itself, and the interpretation viewer. Though our collective understanding of social justice and the celebration of diversity has greatly advanced in recent decades, these issues are not all together resolved. On Wondaland's blog I was reading their support of Bruno Mars' coming out, and understanding the courage it takes to do so in the music industry, as it has ruined young careers in the past. Some support, others bash, and the topic heats up on sexuality, gender, and morality to the degree the music itself can be lost in the process. I believe the viewer should be allowed to experience the art for themselves, and it should not be entirely dependent on the sexuality of the artist. I love that Janelle avoids the subject for the time being, and I believe it creates the opportunity to for her truly remarkable music to stand on its own merit. Go Janelle Go, #PowerUp
  9. Challenges Contemporary Artists to Step Their Game Up
    As a Business Professional, specifically from the world of marketing, I look with terror on the current state of the music industry. Especially in comparison to truly innovative musical talent that lies a few decades back. Evaluating things through these marketing lenses I've seen gimmicks and creative branding dominate the billboard charts, as people try to cash out on trends and push the shock and sexuality extremes to aggregate sales in a technologically fractured market. The digital age presents opportunities, and it's created challenges for large corporations to turn profits. To compensate for this, image has in some cases become a bigger selling point than the music itself. I love Janelle's image, but she's my favorite artist because I love her music even more. Ke$ha's made talking into a musical genre, and one of the chart toppers right now is truly set to the sound of a bed squeaking over and over and over again.... Really? HERE's your competition music industry - HERE is your challenge. Ms. Monae transforms herself song after song, classic funk rock, R&B, pop, a ballad - constant innovation with high quality instrumentation, vocals, and lyrics - KEEP UP. This is what we want, our generation will determine the future of the music industry as we are the driving force behind sales; so will we accept the mainstream bullshit we're being handed, or demand artist tantalize and inspire us by supporting the artists that do? #DoItWondaland
  10. She's Breaking the Mold for Young Wombyn EVERYWHERE
    As she maintains such impressive control of her own brand identity, she is consciously constructed an iconic image that young girls can try to emulate. With messages of empowerment and inner beauty, I believe she possesses the right skill set and intersection of identities to be one of the foremost inspirations for young wombyn of the Millennial Re(Love)ution #reloveution

Starting Point
So if you're not familiar with Janelle Monae, you should be. If you are, it's a fun thing to talk about because she has so much talent, vision, and drive, and has succeeded in constructing a fantasy world from her own imagination to which she has invited us, the listener. She's from Kansas City, and is the daughter of blue collar workers. In her interviews she talks about her modest start at school in Atlanta, Georgia living with 6 other girls when she started selling CDs out of her house. With strong creative and moral guides, shes a firm belief in independent labels and developing real up and coming talent. Along the way she met and wowed Big Boi from Outkast, after which a new world opened up to her. The more exposure she gets, the more critical acclaim, which has led to huge artists reaching out to both support and work with her. The Electric Lady is her second full length studio album, and it contains Suites IV and V of what is said to be a VII Suite set. I don't know what's next for this self-made icon, but I'm cheering her on, and I hope I can leverage whatever social media influence I may have to contribute to her campaign.

Before I get to the album review, in-depth, song by song, I believe it's always important to provide context. We come from different experiences, and your opinion might not be the same as mine. However, if we attempt to engage in dialogue and align our perceptions we'll find more is accomplished through collaboration than individual conquests. I don't expect us all to agree, but I do expect that within my platforms we show respect for each other's opinions, and use dialogue reflective of a "Safe Zone". We're here to build each other up, not rip ourselves apart. #PowerUp


To fully appreciate this world Janelle has created, I believe we are each being challenged to examine our own perception through this distant yet familiar "classic futuristic world". In her Concept Albums she has created droids as the "other" (ie. sexuality, race, religion), and the setting separates it far enough from modern politics to allow us to emotionally detach and equivocally consider the subject matter. I firmly believe that our perception determines our reality. Therefore if we make ourselves aware of our perception, we can control it, and in-so-doing control our reality. This is a concept I plan on discussing in depth in the coming months, but let's begin by breaking down the way we perceive and engage with art, to give us better insight to this particular masterpiece.

Suites I - III & Suite IV: Electric Overture

What a "Suite" Thing
The story Ms. Monae is weaving is quite involved, and I won't pretend I know exactly what it all means. Though she has given some insight, I appreciate she doesn't explain every detail of every aspect, as this allows the viewer the opportunity to think critically and discover what it means to them. With this, she has been releasing the story in "Suites". The first off her album "Metropolis", the second and third on "The ArchAndroid" and the fourth and fifth on "The Electric Lady". The Electric Lady Album begins with Suite IV, and that will be the first song we'll discuss in this album review.


Listening Options - Join the Dance Party! 

The Chase Suite: http://en.wikipedia.org/wiki/Metropolis:_Suite_I_(The_Chase)

Wikipedia Excerpt:
"Metropolis: Suite I (The Chase) is the debut EP of American musician Janelle Monáe, released August 24, 2007 on Bad Boy Records. Produced by Monáe, Control Z, and Chuck Lightning, the EP constitutes the first installment of Monáe's seven-part Metropolis conceptual series, following a fictional tale of gynoid(female android) Cindi Mayweather who is mass-produced in the year 2719 for a market filled with severesocial stratification.
The EP debuted at number 115 on the US Billboard 200 chart, selling 5,200 copies in its first week.[10] It was re-released as a special edition on August 12, 2008 and produced three singles, including "Violet Stars Happy Hunting!", "Sincerely, Jane.", and "Many Moons". Upon its release, Metropolis: Suite I (The Chase) received generally positive reviews from music critics, with "Many Moons" being nominated for theBest Urban/Alternative Performance at the 51st Grammy Awards.[11]"

SUITE I: MARCH OF THE WOLFMASTERS

"Good morning cy-boys and cyber girls
I am happy to announce we have a star-crossed winner in today’s heartbreak sweepstakes
Android Number 57821, otherwise known as Cindy Mayweather
Has fallen desperately in love with a human named Anthony Greendown
And you know the rules!
She is now scheduled for immediate disassembly!
Bounty hunters, you can find her in the Neon Valley Street District on the 4th floor
At the Leopard Plaza Apartment Complex
The Droid Control Marshals are full of fun rules today
No phasers, only chain-saws and electro-daggers!
Remember, only card carrying hunters can join our case today
And as usual, there will be no reward
Until her cyber-soul is turned into the Star Commission
Happy Hunting!"

The ArchAndroid Suites: 
http://en.wikipedia.org/wiki/The_ArchAndroid

Wikipedia Excerpt: 
"The ArchAndroid is the debut studio album by American recording artist Janelle Monáe, released May 18, 2010, on Wondaland Arts Society and Bad Boy Records. Production for the album took place at Wondaland Studios in Atlanta and was primarily handled by Monáe, Nate "Rocket" Wonder, and Chuck Lightning, with only one song without production by Monáe.
It consists of the second and third parts to Monáe's Metropolis concept series. Incorporating conceptual elements of Afrofuturism and science fictionThe ArchAndroid continues the series' fictional tale of a messianic android and features lyrical themes of love, identity, and self-realization. The album has been compared to artists such as David BowieOutkastPrince and Michael Jackson. The album features multiple collaborations with artists; Saul WilliamsBig Boiof Montreal and Deep Cotton.
The album debuted at number 17 on the US Billboard 200, selling 21,000 copies in its first week. It achieved moderate chart success and produced two singles, "Tightrope" and "Cold War". Upon its release,The ArchAndroid received rave reviews from music critics, earning praise for its conceptual themes and Monáe's eclectic musical range. It was named the best album of 2010 by several critics and earned Monáe a Grammy Award nomination for Best Contemporary R&B Album. As of February 23, 2011, The ArchAndroid has sold 141,000 copies in the United States according to Nielsen SoundScan."

SUITE II:

"Oh and one
Ohh one
It's your time
Lead us all back to one
Oh, you're the one"


SUITE III: 



Electric Lady Suites: 
http://en.wikipedia.org/wiki/The_Electric_Lady

Wikipedia Excerpt:
"The Electric Lady is the second studio album by American recording artist Janelle Monáe, released on September 6, 2013 by Wondaland Arts Society and Bad Boy Records. It is the follow up to her critically acclaimed debut studio album, The ArchAndroid, and as the aforementioned, it has received universal acclaim from music critics. This album serves as the fourth and fifth installments of her seven-part Metropolis concept series.
The Electric Lady debuted at number five on the Billboard 200 with first-week sales of 47,000 copies, making it Monáe's highest debut-week sales so far.[40] The album fell to number twenty-three the following week, selling 15,000 copies.[41] In its third week, it dropped to number forty-seven with 9,000 copies sold.[42] The Electric Lady entered the UK Albums Chart at number fourteen, selling 5,498 copies in its first week.[43]"


SUITE IV: Electric Overture

"She has arrived!
Her crown
Has a story
14 soldiers marching round and round her
I don’t wanna be slave again!
No I don’t wanna be slave!
I’m electric girl
From electric world
And I only want to bring you love"


Thoughts? Comments? I'd LOVE to hear what you think! 

Thursday, October 10, 2013

Electric Lady: Global Dance & Listening Party

"Good Morning Cyber Boys and Cyber Girls!"

Today is October 10, 2013 - marking one month since the release of Janelle Monae's newest album "The Electric Lady". To honor and discuss it, we'll be having a listening party & discussion everyday from now through the end of October. 



Receiving My CD & First Response:
I was so excited to return from my honeymoon and find my preordered album waiting for me, and it's been stuck on repeat every since. Miss Monae first caught my eye when a friend shared the newly released Tightrope YouTube video with me a few years back. I've been following her closely since then, and am captivated by the Concept Albums she's been producing. One thing I realized about this album is it so musically complex and lyrically layered that it took me a few listens and some research to really dig into what I was hearing. I've been delighted to see the media response, and social media responsiveness of Ms. Monae and Wondaland, and tickled to see the fan response and her tour selling out!

Deriving Inspiration: 
As I've been working for some years to launch my own company, I've found inspiration in Janelle's music to keep on with my mission. (TheLuluCompany.com: To connect and engage with the community while fostering social entrepreneurship and artistic expression.) We're preparing to launch our "Year of the Millennial Re(Love)ution" This January 1, 2014, and as we lead up to that point I wanted to make a point to reactivate myself blogging and through social media. What better way than to start with a review of this album? As I said, it's such a dense album when you start examining the content, so I decided we're going to discuss a song a day through the rest of the month. 

Let's Have a Global Dance Party: 
As I started planning this out with my family and friends, I thought it would be SUCH a great idea to share this experience with other Janelle Monae fans - wherever you are in the world. If you have the album take some time today to step away from the normal buzz of life and give it a preliminary listen before we started discussing it over the next few days. If you haven't purchased the album yet, I HIGHLY recommend you do so, it's worth it. 

CLICK IMAGE to PURCHASE ALBUM

Here's the Listening Schedule We'll Be Using: 
(Mark it on your Calendar!) 

"The Electric Lady" by Janelle Monae
October 10 - Welcome, Listen to the Entire CD, Share this Supplemental Content 
October 11 - My Favorite Things: Janelle Monae, Suites I-III, The Electric Lady Song 1: Suite IV Overture
October 12 - Give Em What They Love featuring Prince
October 13 - Q.U.E.E.N. featuring Erykah Badu
October 14 - Electric Lady featuring Solange Knowles
October 15 - Good Morning Midnight Intermission / Primetime featuring Miguel
October 16 - We Were Rock & Roll
October 17 - The Chrome Shoppe Intermission / Dance Apocolyptic
October 18 - Look Into My Eyes
October 19 - Suite V Electric Overture / It's Code
October 20 - Ghetto Woman
October 21 - Our Favorite Fugitive Intermission / Victory
October 22 - Can't Live Without Your Love
October 23 -Sally Ride
October 24 - Dorothy Dandridge Eyes
October 25 - What an Experience

Fixtape #1 by Deep Cotton, Produced by Janelle Monae
October 26 - Swim 'Til You See the Light / We're Far Enough From Heaven Now We Can Freak Out
October 27 - The Reanimator (Concerning Electric Kool-Aid in Watts, UFO's in Harlem, and What Really Happened in Atlantis) 
October 28 - Fork n' Knife
October 29 - Milk Dies
October 30 - Call to Glory / Runaway Radio

Halloween Releases
October 31 - Many Moons Janelle Monae YouTube Video Playlist
                  - Halloween Music YouTube Video Playlist

Join the Conversation:

Lulu FemmeFatale (Aphrodite) 

Photo via NPR Music - Click to View Page

Supplemental Resources:

  • Interviews, Features, and Performances
JMonae Website:  JMonae.com